Thursday, October 27, 2005

AFI #001 Clark Gable as Rhett Butler from Gone with the Wind (1939)


Rhett: It seems we've been at cross-purposes, doesn't it? But it's no use now. As long as there was Bonnie, there was a chance that we might be happy. I liked to think that Bonnie was you, a little girl again, before the war, and poverty had done things to you. She was so like you, and I could pet her and spoil her, as I wanted to spoil you. But when she went, she took everything.
Scarlett: Oh, Rhett, Rhett please don't say that. I'm so sorry, I'm so sorry for everything.
Rhett: My darling, you're such a child. You think that by saying "I'm sorry," all the past can be corrected. Here, take my handkerchief. Never, at any crisis of your life, have I known you to have a handkerchief.
Scarlett: Rhett! Rhett, where are you going?
Rhett: I'm going to Charleston, back where I belong.
Scarlett: Please, please take me with you!
Rhett: No, I'm through with everything here. I want peace. I want to see if somewhere there isn't something left in life of charm and grace. Do you know what I'm talking about?
Scarlett: No! I only know that I love you.
Rhett: That's your misfortune. [turns to walk down the stairs]
Scarlett: Oh, Rhett! [watches Rhett walk to the door] Rhett! [runs down the stairs after him] Rhett, Rhett! Rhett, Rhett... Rhett, if you go, where shall I go? What shall I do?
Rhett: Frankly, my dear, I don't give a damn.

- Clark Gable as Rhett Butler from Gone with the Wind (1939)

The bolded line is ranked #1 in the American Film Institute's list of the top 100 movie quotations in American cinema.


http://en.wikiquote.org/wiki/Gone_with_the_Wind
American Film Institute's list of the top 100 movie quotations

Wednesday, October 26, 2005

AFI #002 Marlon Brando as Don Vito Corleone from The Godfather (1972)

Johnny Fontane: A month ago, he bought the movie rights to this book. A best seller – and the main character, it's a guy just like me. I, uh, I wouldn't even have to act, just be myself. [choking up] Oh, Godfather, I don't know what to do. I don't know what to do.
[Don Corleone stands up and shakes Johnny]
Don Corleone: [shouting] You can act like a man!
[Don Corleone slaps Johnny]
Don Corleone: What's the matter with you? Is this how you turned out? A Hollywood finocchio that cries like a woman? [mockingly] "What can I do? What can I do?" What is that nonsense? Ridiculous. You spend time with your family?
Johnny Fontane: Sure I do.
Don Corleone: Good. A man who doesn't spend time with his family can never be a real man. Come here … you look terrible. I want you to eat. I want you to rest a while. And in a month from now, this Hollywood bigshot's gonna give you what you want.
Johnny Fontane: It's too late, they start shooting in a week.
Don Corleone: I'm going to make him an offer he can't refuse. Now, you just go outside and enjoy yourself, and, uh, forget about all this nonsense. I want you – I want you to leave it all to me.

- Marlon Brando as Vito Corleone from The Godfather (1972)

The bolded line is ranked #2 in the American Film Institute's list of the top 100 movie quotations in American cinema.


American Film Institute's list of the top 100 movie quotations

Tuesday, October 25, 2005

AFI #003 Marlon Brando as Terry Malloy from On the Waterfront (1954)

Charlie: Look, kid, I - how much you weigh, son? When you weighed one hundred and sixty-eight pounds you were beautiful. You coulda been another Billy Conn, and that skunk we got you for a manager, he brought you along too fast.
Terry: It wasn't him, Charley, it was you. Remember that night in the Garden you came down to my dressing room and you said, "Kid, this ain't your night. We're going for the price on Wilson." You remember that? "This ain't your night"! My night! I coulda taken Wilson apart! So what happens? He gets the title shot outdoors on the ballpark and what do I get? A one-way ticket to Palooka-ville! You was my brother, Charley, you shoulda looked out for me a little bit. You shoulda taken care of me just a little bit so I wouldn't have to take them dives for the short-end money.
Charlie: Oh I had some bets down for you. You saw some money.
Terry: You don't understand! I coulda had class. I coulda been a contender. I could've been somebody, instead of a bum, which is what I am. Let's face it. It was you, Charley.

- Marlon Brando as Terry Malloy from On the Waterfront (1954)

The bolded line is ranked #3 in the American Film Institute's list of the top 100 movie quotations in American cinema.


American Film Institute's list of the top 100 movie quotations

Monday, October 24, 2005

AFI #004 Judy Garland as Dorothy Gale from The Wizard of Oz (1939)

Dorothy: [has just arrived in Oz, looking around and awed at the beauty and splendor] Toto, I've a feeling we're not in Kansas anymore.
Dorothy: [after a pause] We must be over the rainbow!
[a bubble appears in the sky and gets closer and closer. It finally lands, then turns into Glinda the Good Witch wearing a spectacular white dress and crown, holding a wand]
Dorothy: [to Toto] Now I... I know we're not in Kansas!

- Judy Garland as Dorothy Gale from The Wizard of Oz (1939)

The bolded line is ranked #4 in the American Film Institute's list of the top 100 movie quotations in American cinema.


American Film Institute's list of the top 100 movie quotations

Sunday, October 23, 2005

AFI #005 Humphrey Bogart as Rick Blaine from Casablanca (1942)

Rick: Last night we said a great many things. You said I was to do the thinking for both of us. Well, I've done a lot of it since then, and it all adds up to one thing: you're getting on that plane with Victor where you belong.
Ilsa: But, Richard, no, I... I...
Rick: Now, you've got to listen to me! You have any idea what you'd have to look forward to if you stayed here? Nine chances out of ten, we'd both wind up in a concentration camp. Isn't that true, Louie?
Captain Renault: I'm afraid Major Strasser would insist.
Ilsa: You're saying this only to make me go.
Rick: I'm saying it because it's true. Inside of us, we both know you belong with Victor. You're part of his work, the thing that keeps him going. If that plane leaves the ground and you're not with him, you'll regret it. Maybe not today, maybe not tomorrow, but soon and for the rest of your life.
Ilsa: But what about us?
Rick: We'll always have Paris. We didn't have it before...we'd...we'd lost it until you came to Casablanca. We got it back last night.
Ilsa: When I said I would never leave you...
Rick: And you never will. But I've got a job to do too. Where I'm going, you can't follow. What I've got to do, you can't be any part of. Ilsa, I'm no good at being noble, but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that.
[Ilsa lowers her head and begins to cry]
Rick: Now, now...
[Rick gently places his hand under her chin and raises it so their eyes meet]
Rick: Here's looking at you, kid.

- Humphrey Bogart as Rick Blaine from Casablanca (1942)

The bolded line is ranked #5 in the American Film Institute's list of the top 100 movie quotations in American cinema.


American Film Institute's list of the top 100 movie quotations

AFI #005 Humphrey Bogart as Rick Blaine from Casablanca (1942)

Rick: Who are you really, and what were you before? What did you do and what did you think, huh?
Ilsa: We said no questions.
Rick: ...Here's looking at you, kid.

- Humphrey Bogart as Rick Blaine from Casablanca (1942)

The bolded line is ranked #5 in the American Film Institute's list of the top 100 movie quotations in American cinema.

AFI #005 Humphrey Bogart as Rick Blaine from Casablanca (1942)

Ilsa: I can't fight it anymore. I ran away from you once. I can't do it again. Oh, I don't know what's right any longer. You have to think for both of us. For all of us.
Rick: All right, I will. Here's looking at you, kid.
Ilsa: [smiles] I wish I didn't love you so much.

- Humphrey Bogart as Rick Blaine from Casablanca (1942)

The bolded line is ranked #5 in the American Film Institute's list of the top 100 movie quotations in American cinema.

In Japan and Korea, the line "Here's looking at you" is translated as "Cheers to your eyes".

This phrase is actually a toast that originated around the fights that occurred in the pubs of old. It was commonplace for a patron to wait until his adversary was drinking from their stein of ale (and their vision was therefore blocked by the stein) to attack ... it bettered their odds of success. It is led to the development of the glass-bottomed stein in which the drinker could keep the other patrons in their vision even when drinking.

Thus came the toast "Here's looking at you"

Friday, October 21, 2005

AFI #007 Gloria Swanson as Norma Desmond from Sunset Boulevard (1950)

And I promise you I'll never desert you again because after Salome we'll make another picture and another picture. You see, this is my life! It always will be! Nothing else! Just us, the cameras, and those wonderful people out there in the dark!... All right, Mr. DeMille, I'm ready for my close-up.

- Gloria Swanson as Norma Desmond from Sunset Boulevard (1950)

The bolded line is ranked #7 in the American Film Institute's list of the top 100 movie quotations in American cinema.


American Film Institute's list of the top 100 movie quotations

Thursday, October 20, 2005

AFI #008 Harrison Ford as Han Solo from Star Wars Episode IV: A New Hope (1977)

Luke: So. You got your reward and you're just leaving, then?
Han Solo: That's right, yeah. Got some old debts I gotta pay off with this stuff. Even if I didn't, you don't think I'd be fool enough to stick around here, do you? Why don't you come with us? You're pretty good in a fight. We could use you.
[Luke and Han are about to go their separate ways; Luke is upset that Han still plans to leave after receiving his reward]
Luke: Come on. Why don't you take a look around? You know what's about to happen, what they're up against. They could use a good pilot like you. You're turning your back on them.
Han Solo: What good's a reward if you ain't around to use it? Besides, attacking that battle station ain't my idea of courage. It's more like... suicide.
Luke: All right. Well, take care of yourself, Han. I guess that's what you're best at, isn't it?
[starts to storm off]
Han Solo: Hey, Luke!
[Luke stops and turns to face him]
Han Solo: [begrudgingly] May the Force be with you.
[Luke exits. Chewbacca growls]
Han Solo: [to Chewbacca] What're you lookin' at? I know what I'm doin'.

- Harrison Ford as Han Solo from Star Wars Episode IV: A New Hope (1977)

The bolded line is ranked #8 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Wednesday, October 19, 2005

AFI #009 Bette Davis as Margo Channing from All About Eve (1950)

Fasten your seatbelts. It's going to be a bumpy night.

- Bette Davis as Margo Channing from All About Eve (1950)

The bolded line is ranked #9 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Tuesday, October 18, 2005

AFI #010 Robert De Niro as Travis Bickle from Taxi Driver (1976)

Yeah. Huh? Huh? Huh? (I'm) faster than you, you fuckin' son of a...I saw you comin', you fuck, shit-heel. I'm standin' here. You make the move. You make the move. It's your move. [He draws his gun from his concealed forearm holster] Don't try it, you fucker. You talkin' to me? You talkin' to me? You talkin' to me? [He turns around to look behind him] Well, who the hell else are you talkin' to? You talkin' to me? Well, I'm the only one here. Who the fuck do you think you're talkin' to? Oh yeah? Huh? OK. [He whips out his gun again] Huh?

- Robert De Niro as Travis Bickle from Taxi Driver (1976)

The bolded line is ranked #10 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Monday, October 17, 2005

AFI #011 Strother Martin as Captain from Cool Hand Luke (1967)

What we've got here is failure to communicate. Some men you just can't reach. So you get what we had here last week, which is the way he wants it. Well, he gets it. I don't like it anymore than you men.

- Strother Martin as Captain from Cool Hand Luke (1967)

The bolded line is ranked #11 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Sunday, October 16, 2005

AFI #012 Robert Duvall as Lt. Col. Bill Kilgore from Apocalypse Now (1979)

You smell that? Do you smell that? Napalm, son. Nothing else in the world smells like that. I love the smell of napalm in the morning. You know, one time we had a hill bombed, for twelve hours. When it was all over I walked up. We didn't find one of 'em, not one stinkin' dink body. The smell, you know that gasoline smell, the whole hill. Smelled like … victory. Someday this war's gonna end.

- Robert Duvall as Lieutenant Colonel Bill Kilgore from Apocalypse Now (1979)

The bolded line is ranked #12 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Saturday, October 15, 2005

AFI #013 Ryan O'Neal as Oliver Barrett IV from Love Story (1970)

[last lines]
Oliver Barrett III: Oliver, I want to help.
Oliver Barrett IV: Jenny's dead.
Oliver Barrett III: Oh Oliver, I'm so sorry.
Oliver Barrett IV: Love means never having to say you're sorry.

- Ryan O'Neal as Oliver Barrett IV from Love Story (1970)

The bolded line is ranked #13 in the American Film Institute's list of the top 100 movie quotations in American cinema.

올리버 바렛 III: 올리버, 나는 돕고 싶어요.
올리버 바렛 IV: 제니는 죽었어요.
올리버 바렛 III: 아, 올리버, 미안해요.
올리버 바렛 IV: 사랑이란 결코 미안하다는 말을 하지 않는 거에요.

- 올리버 바렛 IV (라이언 오닐), 러브스토리 (1970)

Friday, October 14, 2005

AFI #014 Humphrey Bogart as Sam Spade from The Maltese Falcon (1941)

Polhaus: [lifting the fake falcon] It's heavy. What is it?
Spade: The, uh, stuff that dreams are made of.
Polhaus: Huh?

- Humphrey Bogart as Sam Spade from The Maltese Falcon (1941)

The bolded line is ranked #14 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Thursday, October 13, 2005

AFI #015 Pat Welsh as E.T. from E.T. the Extra-Terrestrial (1982)

E.T. phone home.

- Pat Welsh as E.T. from E.T. the Extra-Terrestrial (1982)

The bolded line is ranked #15 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Wednesday, October 12, 2005

AFI #016 Sidney Poitier as Virgil Tibbs from In the Heat of the Night (1967)

They call me Mister Tibbs!

- Sidney Poitier as ht.html">Virgil Tibbs from In the Heat of the Night (1967)

The bolded line is ranked #16 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Tuesday, October 11, 2005

Life, William Alland as Jerry Thompson from Citizen Kane (1941)

Female reporter: If you could've found out what Rosebud meant, I bet that would've explained everything.
Thompson: No, I don't think so; no. Mr. Kane was a man who got everything he wanted and then lost it. Maybe Rosebud was something he couldn't get, or something he lost. Anyway, it wouldn't have explained anything... I don't think any word can explain a man's life. No, I guess Rosebud is just a... piece in a jigsaw puzzle... a missing piece.

- William Alland as Jerry Thompson from Citizen Kane (1941)

AFI #017 Orson Welles as Charles Foster Kane from Citizen Kane (1941)

Rosebud.

- Orson Welles as Charles Foster Kane from Citizen Kane (1941)

Opening line; his last word as he dies. The bolded line is ranked #17 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Monday, October 10, 2005

Movie, Edmond O'Brien as Hank Fallon/Vic Pardo from White Heat (1949)

[last lines]
Philip Evans: Cody Jarrett...
Hank Fallon: He finally got to the top of the world... and it blew right up in his face.

- Edmond O'Brien as Hank Fallon/Vic Pardo from White Heat (1949)

AFI #018 James Cagney as Arthur "Cody" Jarrett from White Heat (1949)

Made it, Ma! Top of the world!

- James Cagney as Arthur "Cody" Jarrett from White Heat (1949)

The bolded line is ranked #18 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Sunday, October 9, 2005

AFI #020 Peter Finch as Howard Beale from Network (1976)

I don't have to tell you things are bad. Everybody knows things are bad. It's a depression. Everybody's out of work or scared of losing their job. The dollar buys a nickel's worth, banks are going bust, shopkeepers keep a gun under the counter. Punks are running wild in the street and there's nobody anywhere who seems to know what to do, and there's no end to it. We know the air is unfit to breathe and our food is unfit to eat, and we sit watching our TVs while some local newscaster tells us that today we had fifteen homicides and sixty-three violent crimes, as if that's the way it's supposed to be! We know things are bad - worse than bad, They're crazy! It's like everything everywhere is going crazy, so we don't go out anymore. We sit in the house, and slowly the world we are living in is getting smaller, and all we say is, 'Please, at least leave us alone in our living rooms. Let me have my toaster and my TV and my steel-belted radials and I won't say anything. Just leave us alone!' Well, I'm not gonna leave you alone! I want you to get MAD! I don't want you to protest. I don't want you to riot - I don't want you to write to your congressman because I wouldn't know what to tell you to write. I don't know what to do about the depression and the inflation and the Russians and the crime in the street. All I know is that first you've got to get mad! You've got to say, "I'm a human being, goddammit! My life has value!" So, I want you to get up now. I want all of you to get up out of your chairs. I want you to get up right now, and go to the window, open it, and stick your head out and yell: "I'm as mad as hell, and I'm not going to take this anymore!" I want you to get up right now, sit up, go to your windows, open them and stick your head out and yell - 'I'm as mad as hell and I'm not going to take this anymore!' Things have got to change. But first, you've gotta get mad!... You've got to say, 'I'm as mad as hell, and I'm not going to take this anymore!' Then we'll figure out what to do about the depression and the inflation and the oil crisis. But first get up out of your chairs, open the window, stick your head out, and yell, and say it: I'm as mad as hell, and I'm not going to take this anymore!

- Peter Finch as Howard Beale from Network (1976)

The bolded line is ranked #19 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Saturday, October 8, 2005

AFI #020 Humphrey Bogart as Rick Blaine from Casablanca (1942)

Louis, I think this is the beginning of a beautiful friendship.

- Humphrey Bogart as Rick Blaine from Casablanca (1942)

The bolded line is ranked #20 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Thursday, October 6, 2005

AFI #022 James Bond by Sean Connery from Dr. No (1962)

Bond. James Bond.

- James Bond by Sean Connery from Dr. No (1962)

The bolded line is ranked #22 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Wednesday, October 5, 2005

AFI #023 Judy Garland as Dorothy Gale from The Wizard of Oz (1939)

There's no place like home; there's no place like home; there's no place like home...

- Judy Garland as Dorothy Gale from The Wizard of Oz (1939)

The bolded line is ranked #23 in the American Film Institute's list of the top 100 movie quotations in American cinema.


American Film Institute's list of the top 100 movie quotations
http://en.wikiquote.org/wiki/Wizard_of_Oz

Monday, October 3, 2005

AFI #025 Rod Tidwell by Cuba Gooding, Jr. from Jerry Maguire (1996)


Show me the money!

- Rod Tidwell by Cuba Gooding, Jr. from Jerry Maguire (1996)

The bolded line is ranked #25 in the American Film Institute's list of the top 100 movie quotations in American cinema.


http://mymovietime.net/15-of-the-best-movie-quotes-ever

Sunday, October 2, 2005

AFI #026 Mae West as Lady Lou from She Done Him Wrong (1933)


Lady Lou: I always did like a man in a uniform. That one fits you grand. Why don't you come up sometime and see me? I'm home every evening.

- Mae West as Lady Lou from She Done Him Wrong (1933)

The bolded line is ranked #26 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Saturday, October 1, 2005

AFI #027 Dustin Hoffman as Ratso Rizzo from Midnight Cowboy (1969)


I'm walking here! I'm walking here! [bangs hand on car] Actually, that ain't a bad way to pick up insurance, you know.

- Dustin Hoffman as Ratso Rizzo from Midnight Cowboy (1969)

The bolded line is ranked #27 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Friday, September 30, 2005

AFI #028 Ingrid Bergman as Ilsa Lund from Casablanca (1942)


Ilsa: Play it once, Sam, for old times' sake.
Sam: I don't know what you mean, Miss Ilsa.

Ilsa: [whispered] Play it, Sam. Play 'As Time Goes By.'
Sam: Why, I can't remember it, Miss Ilsa. I'm a little rusty on it.
Ilsa: I'll hum it for you. [Ilsa hums two bars. Sam starts to play] Sing it, Sam.
Sam: [singing] You must remember this
A kiss is just a kiss
A sigh is just a sigh
The fundamental things apply
As time goes by.
Lyrics and Music by Herman Hupfeld (1931)

- Ingrid Bergman as Ilsa Lund from Casablanca (1942)

The bolded line is ranked #28 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Thursday, September 29, 2005

AFI #029 Jack Nicholson as Col. Nathan R. Jessep from A Few Good Men (1992)


(Colonel Jessup testified that he ordered Lt Kendrick that Santiago "Wasn't to be touched" and the argument gets heated)
Kaffee: Colonel Jessup, did you order the Code Red?!
Judge: You don't have to answer that question!
Jessup: I'll answer the question. You want answers?
Kaffee: I think I'm entitled.
Jessup: You want answers?!
Kaffee: I want the truth!
Jessup: You can't handle the truth! Son, we live in a world that has walls, and those walls have to be guarded by men with guns. Who's gonna do it? You? You, Lieutenant Weinberg? I have a greater responsibility than you can possibly fathom! You weep for Santiago and you curse the Marines. You have that luxury. You have the luxury of not knowing what I know: that Santiago's death, while tragic, probably saved lives. And my existence, while grotesque and incomprehensible to you, saves lives! You don't want the truth, because deep down in places you don't talk about at parties, you want me on that wall! You need me on that wall! We use words like "honor", "code", "loyalty". We use these words as the backbone of a life spent defending something. You use them as a punchline! I have neither the time nor the inclination to explain myself to a man who rises and sleeps under the blanket of the very freedom that I provide, and then questions the manner in which I provide it! I would rather you just said "Thank you," and went on your way. Otherwise, I suggest you pick up a weapon, and stand a post. Either way, I don't give a damn what you think you are entitled to!
Kaffee: Did you order the Code Red?
Jessup: I did the job that—-
Kaffee: Did you order the Code Red?!
Jessup: You're goddamn right I did!!

- Jack Nicholson as Col. Nathan R. Jessep from A Few Good Men (1992)

The bolded line is ranked #29 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Wednesday, September 28, 2005

AFI #030 Greta Garbo as Grusinskaya from Grand Hotel (1932)


I want to be alone. I think I have never been so tired in my life.

- Greta Garbo as Grusinskaya from Grand Hotel (1932)

The bolded line is ranked #30 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Tuesday, September 27, 2005

AFI #031 Vivien Leigh as Scarlett O'Hara from Gone with the Wind (1939)


I can't let him go. I can't. There must be some way to bring him back. Oh, I can't think about this now! I'll go crazy if I do! I'll think about it tomorrow. But I must think about it. I must think about it. What is there to do? What is there that matters? Tara! Home. I'll go home. And I'll think of some way to get him back. After all... tomorrow is another day!

- Vivien Leigh as Scarlett O'Hara from Gone with the Wind (1939)

The bolded line is ranked #31 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Monday, September 26, 2005

AFI #032 Claude Rains as Capt. Louis Renault from Casablanca (1942)


Major Strasser has been shot. [pause] Round up the usual suspects.

- Claude Rains as Capt. Louis Renault from Casablanca (1942)

The bolded line is ranked #32 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Sunday, September 25, 2005

AFI #033 Estelle Reiner as Customer from When Harry Met Sally (1989)

Harry: You don't think that I could tell the difference?
Sally: No.
Harry: Get outta here.

[Sally begins to fake an orgasm]
Harry: Are you OK?

[Sally continues very audibly, attracting the attention of nearly every customer in the cafe. Afterwards, she returns to eating her dessert]

Older Woman Customer: [to waiter] I'll have what she's having.

- Estelle Reiner as a Customer from When Harry Met Sally (1989)

The bolded line is ranked #33 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Saturday, September 24, 2005

AFI #034 Lauren Bacall as Marie "Slim" Browning from To Have and Have Not (1944)


Slim: You know you don't have to act with me, Steve. You don't have to say anything, and you don't have to do anything. Not a thing. Oh, maybe just whistle. You know how to whistle, don't you, Steve? You just put your lips together and blow.

- Lauren Bacall as Marie "Slim" Browning from To Have and Have Not (1944)

The bolded line is ranked #34 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Friday, September 23, 2005

AFI #035 Roy Scheider as Martin Brody from Jaws (1975)


"Slow ahead." I can go slow ahead. Come on down here and chum some of this shit. [the shark suddenly appears, causing Brody to recoil in shock] You're gonna need a bigger boat.

- Roy Scheider as Cheif Martin Brody from Jaws (1975)

The bolded line is ranked #35 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Thursday, September 22, 2005

AFI #036 Alfonso Bedoya as Gold Hat from The Treasure of the Sierra Madre (1948)


Gold Hat: Hola, senor. We are Federales. You know, the mounted police.
Dobbs: If you're the police, where are your badges?
Gold Hat: Badges? We ain't got no badges! We don't need no badges! I don't have to show you any stinking badges!
Dobbs: You'd better not come any closer.
Gold Hat: We aren't trying to do you any harm. Why don't you try to be a little more polite? Give us your gun and we'll leave you in peace.

- Alfonso Bedoya as Gold Hat from The Treasure of the Sierra Madre (1948)

The bolded line is ranked #36 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Wednesday, September 21, 2005

AFI #037 Arnold Schwarzenegger as The Terminator from The Terminator (1984)


The Terminator: I'm a friend of Sarah Connor. I was told she was here. Could I see her please?
Desk Sergeant: No, you can't see her. She's making a statement.
The Terminator: Where is she?
Desk Sergeant: It may take a while. Want to wait? There's a bench over there.
The Terminator: [looks around, examining the structural integrity of the room, then looks back at him] I'll be back.

- Arnold Schwarzenegger as The Terminator from The Terminator (1984)

The bolded line is ranked #37 in the American Film Institute's list of the top 100 movie quotations in American cinema.

The character returns by driving a car through the front door. Schwarzenegger has been quoted that he hadn't thought much about the line when filming the movie. James Cameron notes in the DVD features that he expected the line to only get a laugh upon repeat viewings when what the character means is known, and was surprised to see it get a big reaction from first-time audiences who had quickly come to understand the character and immediately anticipated the outrageous violence the nonchalant line signifies. In the novelization of the film script, titled The Terminator by Shaun Hutson the Terminator says "I'll come back," rather than "I'll be back," on page 117. ISBN 0-352-31645-4.


http://en.wikipedia.org/wiki/I%27ll_be_back

Tuesday, September 20, 2005

AFI #038 Gary Cooper as Lou Gehrig from The Pride of the Yankees (1942)


[his farewell speech]
Today, I consider myself the luckiest man on the face of the earth.

- Gary Cooper as Lou Gehrig from The Pride of the Yankees (1942)

The bolded line is ranked #38 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Monday, September 19, 2005

Dream, Ray Liotta (voice) as Shoeless Joe Jackson from Field of Dreams (1989)


[Shoeless Joe Jackson has asked Terence Mann to come with them to the cornfield, but Ray is upset because he wasn't invited]
Ray Kinsella: I did it all, I listened to the voices, I did what they told me, and not once did I ask what's in it for me!
Shoeless Joe Jackson: What are you saying, Ray?
Ray Kinsella: I'm saying... what's in it for me?
Shoeless Joe Jackson: Is that why you did this? For you? I think you better stay here, Ray.
...
Ray Kinsella: What are you grinning at, you ghost?
Shoeless Joe: "If you build it -" [gestures toward catcher, who is Ray's father, John Kinsella] "- he will come."
Ray : "Ease his pain. Go the distance." It was him!
Shoeless Joe: No, Ray. It was you.

- Ray Liotta as Shoeless Joe Jackson from Field of Dreams (1989)

AFI #039 Ray Liotta (voice) as Shoeless Joe Jackson from Field of Dreams (1989)


If you build it, he will come.

- Ray Liotta (voice) as Shoeless Joe Jackson Jackson from Field of Dreams (1989)

The bolded line is ranked #39 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Field of Dreams is a 1989 film about an Iowa corn farmer who hears a voice telling him: "If you build it, he will come." He interprets this as an instruction to build a baseball diamond in his fields; after he does, Shoeless Joe Jackson and other dead baseball players emerge from the cornfields to play ball.

Sunday, September 18, 2005

AFI #040 Tom Hanks as Forrest Gump from Forrest Gump (1994)


Mama always said life was like a box of chocolates. You never know what you're gonna get.

- Tom Hanks as Forrest Gump from Forrest Gump (1994)

The bolded line is ranked #40 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Saturday, September 17, 2005

AFI #041 Warren Beatty as Clyde Barrow from Bonnie and Clyde (1967)


We rob banks.

- Warren Beatty as Clyde Barrow from Bonnie and Clyde (1967)

The bolded line is ranked #41 in the American Film Institute's list of the top 100 movie quotations in American cinema.

Friday, September 16, 2005

AFI #042 Walter Brooke as Mr. Mcguire from The Graduate (1967)


Mr. McGuire: I want to say one word to you. Just one word.
Benjamin: Yes, sir.
Mr. McGuire: Are you listening?
Benjamin: Yes, I am.
Mr. McGuire: Plastics.
Benjamin: Exactly how do you mean?
Mr. McGuire: There's a great future in plastics. Think about it. Will you think about it?

- Walter Brooke as Mr. Mcguire from The Graduate (1967)

The bolded line is ranked #42 in the American Film Institute's list of the top 100 movie quotations in American cinema.


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Thursday, September 15, 2005

AFI #043 Humphrey Bogart as Rick Blaine from Casablanca (1942)

Rick: Last night we said a great many things. You said I was to do the thinking for both of us. Well, I've done a lot of it since then, and it all adds up to one thing: you're getting on that plane with Victor where you belong.
Ilsa: But, Richard, no, I... I...
Rick: Now, you've got to listen to me! You have any idea what you'd have to look forward to if you stayed here? Nine chances out of ten, we'd both wind up in a concentration camp. Isn't that true, Louie?
Captain Renault: I'm afraid Major Strasser would insist.
Ilsa: You're saying this only to make me go.
Rick: I'm saying it because it's true. Inside of us, we both know you belong with Victor. You're part of his work, the thing that keeps him going. If that plane leaves the ground and you're not with him, you'll regret it. Maybe not today, maybe not tomorrow, but soon and for the rest of your life.
Ilsa: But what about us?
Rick: We'll always have Paris. We didn't have it before...we'd...we'd lost it until you came to Casablanca. We got it back last night.
Ilsa: When I said I would never leave you...
Rick: And you never will. But I've got a job to do too. Where I'm going, you can't follow. What I've got to do, you can't be any part of. Ilsa, I'm no good at being noble, but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that.
[Ilsa lowers her head and begins to cry]
Rick: Now, now...
[Rick gently places his hand under her chin and raises it so their eyes meet]
Rixk: Here's looking at you, kid.

- Humphrey Bogart as Rick Blaine from Casablanca (1942)

"We'll always have Paris" is ranked #43 in the American Film Institute's list of the top 100 movie quotations in American cinema.


American Film Institute's list of the top 100 movie quotations

Wednesday, September 14, 2005

AFI #044 Haley Joel Osment as Cole Sear from The Sixth Sense (1999)

Cole: I see dead people.
Malcolm: In your dreams?
[Cole shakes his head no]
Malcolm: While you're awake?
[Cole nods]
Malcolm: Dead people like, in graves? In coffins?
Cole: Walking around like regular people. They don't see each other. They only see what they want to see. They don't know they're dead.
Malcolm: How often do you see them?
Cole: All the time.

- Haley Joel Osment as Cole Sear from The Sixth Sense (1999)

The bolded line is ranked #44 in the American Film Institute's list of the top 100 movie quotations in American cinema.